Rudolph, I Think You Need Glasses!


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There are 2 items available. Please enter a number less than or equal to 2. Select a valid country. Please enter 5 or 9 numbers for the ZIP Code. Handling time. Will ship within 5 business days of receiving cleared payment - opens in a new window or tab. The seller has specified an extended handling time for this item. Taxes may be applicable at checkout. Learn more. Stuart Holmes, who appeared with Rudolph Valentino in 's "The Four Horsemen of the Apocalypse," dismissed Rudy's much-touted magnetism by saying, "All he thought about was Italian food. He'd turn those big slumberous eyes on some woman, and she'd just about swoon with delight, but he couldn't have cared less.

So apparently, even his love for spaghetti and his 1 woman-man preference is taken against him. Each page widens the gap between the cinematic stud who fueled mass feminine hysteria after his death at 31, and the dull, superficial personality he was in real life. Handicapped by an underdeveloped chest, weak vision, a lazy left eye and cauliflowered left ear, the actor had enough smoldering camera presence to graduate from heavies to romantic leads.

Leider offers other intriguing details, such as studio insistence that his dark skin be bleached white and that he keep out of the sun to avoid looking too black for pictures. It's a wonder though where the author's hostility comes from, his physical imperfections and dark skin are taken as reasons to all the more think badly of him. And it's a wonder because it's the 21st century, not the s and I certainly doubt the author was alive and one of the critics of Valentino almost years hence. Much of the time, Rudy comes off as an amiable narcissist, attracted to those who physically resemble him.

Leider balances this with a few flattering anecdotes, including one showing him as considerate of his co-stars. The great lover — loved by all but his loves. And through the book it seems, the reviewer gathers that Valentino is nothing more than a whiner, a cliche, and narcissist YET with this quote, all I feel is tremendous sympathy for someone who I'll paraphrase Valentino's words "only ever loved one woman" - his wife Natacha who grew bored of him and left despite his futile efforts.

I hope you guys don't mind me posting another review of the biographical book. The book will take so long to get here, I need to get my fix from somewhere, lol! Here's a more balanced review that I found interesting as there are details here not found in the one above:. The Telegraph Review. The title of the review is - For fear of pink powder puffs - and it seems appropriate as Valentino was hounded by it, regaled against it, and was very much affected by such accusations.


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He even called out one of his critics in a duel - in the boxing ring. Myopia - not passion. No one in s America had seen a man smoulder on screen with such dramatic intensity. Film critics compared him to the basilisk, a mythic reptile capable of slaying foes with its eyes. But the friends quoted by Leider swore that this capacity for mesmerising audiences was due to nothing more than a squint.

Leider's careful calculation of the elements that made up Valentino's sex appeal results in a sober and poignant study of a man driven by insecurities and sadness. I never knew Valentino had myopia, or poor vision. And this intensity linked to his myopia reminds me very much of Christopher Lambert who is now legally blind and known for his intense gaze linked to his myopia. The reality of his adolescent state was less appealing: he was skinny with pointed ears, and when he was rejected by a naval academy because his chest measurement fell short by 2cm, he was devastated.

A sense of shame played a large part in his development; shame at his educational failure, shame that he was not manly enough for a military career. This was another source of shame. And then there was the stigma of being dark.

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Men were suspicious of this "oily Latin cad's" effect on women. He had to leave New York after being arrested in a brothel, and was thereafter associated with white slavery and dubious morals. For the rest of his life, Valentino worried that he had failed to win the approval of his male peers.

But there was an upside: partnering so many women on the dance floor schooled him in how to attune himself to "feminine signals". It is this complex eroticism that gives Valentino his enduring fame. But his success on the screen was compromised by an unfulfilling private life. Ultimately, he was too sensitive for the ruthless competition generated by Hollywood casting directors.


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He found The Sheik demeaning not just to himself but to Arabs, too.

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