by Edgar Allan Poe
In your heart, a living childhood and a dying child. You come and go.
You vanish into poetry. The dead heads on the Tower and the bridge, tragic masks.
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In your heart, an old religion and a coded faith. In your heart, the darkest lady and the fairest youth. Anne Hathaway The bed we loved in was a spinning world of forests, castles, torchlight, cliff-tops, seas where he would dive for pearls.
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Romance and drama played by touch, by scent, by taste. In the other bed, the best, our guests dozed on, dribbling their prose. Galliard Do not seek to scan my bones. You find truth in my verse. Death has atoned Servant to Life in my words. Under the Mulberry By force I was fixed by fancy to write and through the dark ink I was led by a light, by a light where you lie reading now.
A Shakespeare Masque
You cannot find me except in my words; my time was a sea between you and my verse, my verse which you sit hearing now. Under the mulberry- Stratford-on-Avonweary of London, I sat in my garden, my garden where you walk quoting now.
My name and my dates, a puzzle of bones, are there in the Church. Your breath has my poems, my poems, if you breathe English now.
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Shakespeare's The Tempest - The Masque Scene with Iris, Juno and Ceres
In Shakespeare's day, female parts were played by male actors, while more recently, actresses have taken on some of his most famous male roles such as Hamlet and Julius Caesar. Clare McManus explores gender in the history of Shakespeare performance.
Information Description Masques were hugely popular as extravagant courtly entertainments in the reign of James I and VI. What are masques? Masque elements in The Tempest The Tempest incorporates a formal masque-like scene involving the classical goddesses Iris, Ceres and Juno to celebrate the love of Miranda and Ferdinand in Act 4, Scene 1.
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The Masque of William Shakespeare
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